After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After falling asleep on the last train, the long journey home will be something he never forgets…
Temper Theatre return to Jacksons Lane with their signature mix of fluid muscular movement, soul-shaking soundscapes and fragmented imagery.
★★★★ “Vehement but cogently delivered” The Herald
After falling asleep on the last train, the long journey home will be something he never forgets…
Temper Theatre return to Jacksons Lane with their signature mix of fluid muscular movement, soul-shaking soundscapes and fragmented imagery.
★★★★ “Vehement but cogently delivered” The Herald
After falling asleep on the last train, the long journey home will be something he never forgets…
Temper Theatre return to Jacksons Lane with their signature mix of fluid muscular movement, soul-shaking soundscapes and fragmented imagery.
★★★★ “Vehement but cogently delivered” The Herald
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Suitable for ages 3 – 8
A wardrobe can take you to magical spaces, to all sorts of stories and wonderful places. Lyngo’s is a portal to the wild wood where something is roaming the forest, animals are mysteriously going missing and a little girl has just received a beautiful red cloak from her granny. Open the doors and it all comes alive through puppetry, songs and music from hidden hatches and secret compartments.
All the better to thrill you with!
“50 minutes of pure childhood joy!” number9reviews
Following their sell-out, award-winning show Enter The Dragons, A&E Comedy (Abigail Dooley and Emma Edwards, “a brilliant comedy coupling” Total Theatre) return with a spell-binding, surreal and darkly hilarious tale, directed by Cal McCrystal.
“I think they are amazing!!” Phoebe Waller-Bridge
Witch Hunt weaves a cautionary fairytale for our time. It celebrates the wisdom of the witch, unpacks the notion of predator and conjures a world of coven-ready weird sisters.
“Watch out, there are wild women about. Knicker-Wettingly funny” Total Theatre
A ritualistic voodoo brouhaha designed to enchant and hex the pricks and predators; imagine Vic and Bob doing The Crucible.
Using buffoon, puppetry and magic and armed with a ‘wiccan’ sense of humour, A&E Comedy ask “can we use witchcraft to take down the Patriarchy?” Yes we can!
Following their sell-out, award-winning show Enter The Dragons, A&E Comedy (Abigail Dooley and Emma Edwards, “a brilliant comedy coupling” Total Theatre) return with a spell-binding, surreal and darkly hilarious tale, directed by Cal McCrystal.
“I think they are amazing!!” Phoebe Waller-Bridge
Witch Hunt weaves a cautionary fairytale for our time. It celebrates the wisdom of the witch, unpacks the notion of predator and conjures a world of coven-ready weird sisters.
“Watch out, there are wild women about. Knicker-Wettingly funny” Total Theatre
A ritualistic voodoo brouhaha designed to enchant and hex the pricks and predators; imagine Vic and Bob doing The Crucible.
Using buffoon, puppetry and magic and armed with a ‘wiccan’ sense of humour, A&E Comedy ask “can we use witchcraft to take down the Patriarchy?” Yes we can!
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
When temperatures drop and cold snaps come, that means only one thing: Jack Frost is here!
Jack Frost is a mischievous young boy with a frozen touch. His magic transforms the landscape and brings the colours of autumn and the chill of cold winter. He freezes the orange and red leaves, and covers the trees and ground with a glistening blanket of ice and snow.
But this year when winter comes around the snow begins to melt and along with it Jack’s extraordinary magic fades. With his powers lost he becomes just an ordinary boy.
In this wintery tale, Jack and his new found friend, search for winter and attempt to restore Jack’s special gift. Circling the globe they meet characters who share their own special shimmering seasonal winter magic, but will Jack’s magic return?
Join tutti frutti for this enchanting new play by poet and playwright Joseph Coelho with important environmental themes, a touch of wintery fun and original live music.
“Anyone who enjoys a charming, funny, inventive afternoon at the theatre will be sure to come out with a grin on their face.” – British Theatre Guide
Suitable for ages 3+
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.
What are little girls made of?
They are made of the forest floor, the blood of the moon cycle, the fluttering of wings and the turning of keys. They are made of sweat, howling notes and desire. They are made of night scented stock – heady and sweet, the lily and the rose, the knife and the rope.
They are made of all the tales our Mothers told us.
And all the ones they didn’t dare.
Using circus as a physical vocabulary, the award-winning Proteus will translate the fever dream style of Angela Carter’s macabre fairy tales to the stage. The Bloody Chamber is a heady, erotic, and surprisingly funny re-phrasing of some of the most famous folk and fairy tales in Western culture.
At a moment when women and men across the country confront the double standards of safety, sex, and the fears of what goes bump in the night, Carter’s incendiary caustic take on fairy stories as cautionary tales could not be a more formidable challenge to the status quo.
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Blood Gold and Oil
by Jan Woolf
From the Arab revolt of the First World War, a modern hero is constructed: the complex, flawed figure of Lawrence of Arabia. His legacy is as conflicted as his psyche. Brilliant military commander? Agent of British Imperialism? Vulnerable fantasist? Freedom Fighter?
Set in the present day, as an exhibition of the genuine archaeological finds is set up in a museum, the ghost of Lawrence is summoned through the passions of the archaeologist. Yet reality and agency reside in the more grounded figure who thinks about the future rather than the past.
In Blood Gold and Oil ghost and love stories combine, as Lawrence seeks a release from guilt and fame.
Written for the 20th anniversary of the invasion of Iraq, Jan Woolf fuses activism with creativity. She started the play while writer in residence with The Great Arab Revolt archaeological dig in Jordan in 2013 where she ‘dug a play out of the desert.’
Performances: 25-29 April at 19:30, 30 April at 16:00
Running Time: TBC
Triggers and advisories:
● References to suicide and self harm
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
Night Light is a 1-hour, 3-act, fast-paced, conversational comedy. 3 children in their mid-20s put off growing up until they’re forced to let go of each other’s hands and pass on the night light.
Our Irish duo Robyn and Rian take on the harsh realities of living in central London, Randy attempts to write his way out of his situation, and Laura tries to teach them all there is more to life than nerf gun fights, in-jokes and a mattress that wasn’t built for three.
Directed by Tom Chandler (Juliet & Romeo).
About Giggle Riot Theatre:
Founded in 2021 by Tom Chandler, Tom Inman and Maeve O’Haire in response to a stunted industry and a world in desperate need of a few good laughs. The core formed from alumni of The American Academy of Dramatic Arts – NYC.
“If all the world’s a stage, as Shakespeare himself says- then these are some of the finest young actors to grace it.” – The Reviews Hub
Age Guidance: 16+
Running Time: 70 minutes (no interval)
Strong language and sexual references
On A Role presents
Enid Blyton – Noddy, Big-Ears, and Lashings of Controversy.
Wednesday 24 April
Virtually everybody of a certain age has read an Enid Blyton book. She was loved by children (except her younger daughter who hated her) but vilified by the BBC, teachers, critics and librarians.
She sold more than 600 million books, despite all her work being banned by the BBC and many libraries and schools for more than thirty years. She was accused of being a racist and of using such limited vocabulary that it actually hindered children’s reading progress.
Her love-life was interesting and she had numerous affairs including with her children’s nanny. She enjoyed playing golf so much that she bought a golf course near Swanage. She died of Alzheimer’s in 1968 aged 71, mourned by millions of readers all over the world.
Liz Grand (previous shows ‘The Second Best Bed’, ‘Where Is Mrs. Christie?’ and ‘Mrs. Churchill – My Life With Winston’) plays this remarkable and controversial woman and brings you her story.
★★★★★
“The show’s subject is brilliantly played by Liz Grand, already well-versed in portraying strong independent women.”
View From The Stalls
“Liz Grand delivers a great performance as Enid and manages to portray different aspects of her complex character: she is arrogant, and somewhat vindictive at times, more self-aware at others and ultimately rather pitiable.”
Behind The Arras
Running Time: 60 mins